[AMS-announce] ANNOUNCEMENT: Music and Politics, no. 5, now available

[Announcements for the AMS]

Music and Politics, an on-line journal, <<http://www.music.ucsb.edu/projects/musicandpolitics>http://www.music.ucsb.edu/projects/musicandpolitics> has recently published its fifth issue, featuring the following articles and reviews:

Kay Dreyfus, “The Foreigner, the Musicians' Union, and the State in 1920s Australia: A Nexus of Conflict“ _
Julie Waters, “Proselytizing the Prague Manifesto in Britain: The Commissioning, Conception, and Musical Language of Alan Bush's 'Nottingham' Symphony“

Renata Pasternak-Mazur, “The Black Muse: Polish Hip-Hop as the Voice of 'New Others' in the Post-Socialist Transition“ 

Nino Tsitsishvili, “National Ideologies in the Era of Global Fusions: Georgian Polyphonic Song as a UNESCO-sanctioned Masterpiece of Intangible Heritage“

Claire Levy, “Folk in Opposition? Wedding Bands and the New Developments in Bulgarian Popular Music“
                       
Eunice Schroeder, ”Recent Books on Music and Politics”

Music and Politics welcomes submissions of any length that explore the interaction of Music and Politics. Areas of interest include, but are not limited to, the impact of politics on the lives of musicians, music as a form of political discourse, and the influences of ideology on musical historiography. In addition, we seek articles that examine pedagogical issues and strategies pertaining to the study of Music and Politics in the undergraduate classroom. We also welcome suggestions and/or submissions of articles on Music and Politics that have already been published in another language and that would benefit from dissemination in English translation. Submissions are encouraged from both established scholars and graduate students. Because Music and Politics is an on-line journal, authors are welcome to take advantage of the media capabilities of the web (sound files, hyperlinks, color images, and video).  
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