[AMS-announce] ANNOUNCEMENT: Performance Practice Review, vol. 13 (2008), now available

[Announcements for the AMS]

Announcing the completion of Volume 13 (2008) of Claremont Graduate University's online music journal, Performance Practice Review (<http://ccdl.libraries.claremont.edu/collection.php?alias=/ppr>http://ccdl.libraries.claremont.edu/collection.php?alias=/ppr):

Articles

CANDACE BAILEY: "The Antebellum 'Piano Girl' in the American South"
ARON EDIDIN: "Consequentialism about Historical Authenticity"
BRUCE HAYNES: "A Correctly-Attributed Fake"
COLIN LAWSON: "'Attractively Packaged but Unripe Fruit'; the UK's Commercialization of Musical History in the 1980s"
ROBERT MARSHALL: "Bach's Tempo Ordinario: A Plaine and Easie Introduction to the System"
TIMOTHY J. MCGEE: "How One Learned to Ornament in Late Sixteenth-Century Italy"
MARC VANSCHEEUWIJCK: "In Search of the Eighteenth-Century 'Violoncello': Antonio Vandini and the Concertos for Viola by Tartini"
PETER WALLS: "On Divided Lines: Instrumentation for Bass Parts in Corelli-Era Sonatas"

Book reviews

JANE BOWERS: Federico Sardelli, "Vivaldi's Music for Flute and Recorder"
COLIN LAWSON: Eric Hoeprich, "The Clarinet"
ROLAND JACKSON: Bruce Haynes, "The End of Early Music"
RUDOLF RASCH: Ross Duffin, "How Equal Temperament Ruined Harmony (and Why You Should Care)"

Correspondence

Roland Jackson, February 5, 2008, "Performance-practice dictionary"  
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