[AMS-announce] CONF: AMS Rocky Mtn Chapter, Arizona State Univ., Tempe, March 30-31, 2007

[ams-announce-admin at list.bowdoin.edu]

The annual meeting of the Rocky Mountain Chapter of the American
Musicological Society will take place March 30-31, 2007, at the School of
Music, Arizona State University, Tempe, Arizona.  The RMC-AMS is meeting
jointly with the Southwest Chapter of the Society for Ethnomusicology and
the Rocky Mountain Chapter of the Society for Music Theory.  There will be
two full days of papers.  For conference details, contact co-chairs
Amy.Holbrook at asu.edu or
J.Richard.Haefer at asu.edu

PROGRAM:

FRIDAY, MARCH 30th

Joint Session (AMS/SEM/SMT), 9:00 a.m. – 10:40 a.m., Recital Hall

Sabine Feisst (Arizona State University), "Arnold Schoenberg – American"

Peter Schimpf (Metropolitan State College of
Denver), "An American in Iran:  Henry Cowell's
*Persian Set* and the Structure of a Hybrid"

Victoria Lindsay Levine (Colorado College), "Teaching Comparative Music
Theory"

Joint Session (AMS/SEM), 11:00 a.m. – 12:30 p.m., Recital Hall

María del Carmen Vergara de los Ríos and Mariana
de Jesús Vargas Mendoza (Facultad de Música,
Universidad Nacional Autónoma de Tamaulipas), "La
Fiesta de la Santa Cruz: Struggling to Preserve a
Tamulipecan Identity"

Harrison Powley (Brigham Young University), "The
Medieval Harp as Exterior and Interior Symbol"

Deborah Kauffman (University of Northern
Colorado), "'We are the sheep of his pasture':
*Violons en basse* as Theological Topic"

Parallel SMT Session, 11:00 a.m. – 12:30 p.m., Room W218

Israel Solis (University of Arizona),
"Re-examining Ruggles' Twelve-Tone Technique"

David Forrest (Texas Tech University), "Phrase
and Cadence in the Music of Benjamin Britten"

Aaron Templin (University of Arizona), "Altered
Dominants and Avoided Cadences in Stravinsky's
*Apollo*"

Joint Session (AMS/SMT), 2:10 p.m. – 3:40 p.m., Recital Hall

Bruce Quaglia (University of Utah), "Beethoven's
*Pathétique* Sonata, First Movement, and the
Normal Body: The Idea of Formal Prosthesis"

Janice Dickensheets (University of Northern
Colorado), "Literary Connections Between the
Novels of Jean Paul and Schumann's Piano Concerto
in A minor, Op. 54"

Charles Madsen (University of Arizona), "Notated
Improvisation and Musical Commentary in Franz
Liszt's Song Transcriptions"

Parallel Session (SEM), 2:10 p.m. – 4:10 p.m., Rm. W218

Shara J. Engel (Southwestern College), "Source,
Methodology and Song Empowering Black Women from
Slavery"

Sheaukang Hew (University of Oklahoma), "Early
Irish Immigrants in Oklahoma: Music in the
Frontier Experience"

Jim De Fazio (Arizona State University),
"Returning to Sorrento: Diasporic Hybridity in
Italian-American Popular Music"

Michael B. Silvers (University of Arizona),
"Musical Creation, Reception, and Consumption in
a Virtual Place: EnergyBR.com"

Joint Session (AMS/SMT), 4:00 p.m. – 5:30 p.m., Recital Hall

Don Traut (University of Arizona), "More on
Displacement in Stravinsky: A Response to van den
Toorn"

Gretchen Foley (University of Nebraska, Lincoln),
"Informed Interpretation: Preparing Perle's Three
Inventions for Solo Bassoon from the Perspective
of Symmetry"

Sara Heimbecker (University of Northern
Colorado), "John Cage, *HPSCHD*, and
*Gesamtkunstwerk*"

SATURDAY, MARCH 31st

Parallel Session (AMS), 9:00 a.m. – 10:30 a.m., Recital Hall

Alta Graham (Northern Arizona University), "Wife
and Warrior: Character Types in Arias in
Cavalli's *La Doriclea*"

James Leve (Northern Arizona University),
"Trespolo là, Trespolo quà: A Comic Playwright's
Influence on the Development of Comic Opera"

Thomas L. Riis (University of Colorado, Boulder),
"Frank Loesser's Musical Dramaturgy in *The Most
Happy Fellow* (1956)"

Parallel Session (SMT), 9:00 a.m. – 10:30 a.m., Rm. W218

David Claman (College of the Holy Cross),
"Shakti's Common Ground: Scalar Conception and
Usage in a Cross-Cultural Musical Encounter"

Karen Fournier (University of Michigan),
"Rewriting History: 'Cut-and-Paste' and Musical
Meaning in Early Punk Rock"

Eric Sewell (Columbia University), "Meter and
Teleology in 'Black Stooges' by The Melvins"

Parallel Session (AMS), 10:45 a.m. – 12:15 p.m., Recital Hall

Paul Harris (University of Calgary), "The
Renaissance Roots Revival: Arcadelt's *Primo
Libro* at Forty"

Charles Gower Price (professor emeritus, West
Chester University of Pennsylvania), "A Rare
Source of French Court Dance Types: Montéclair's
Sérénade of 1697"

Kenneth Owen Smith (Cyprus College), "The *Airs*
of Sébastien de Brossard: The Hegemony of French
*Galant* Culture in Occupied Strasbourg"

Parallel Session (SMT), 10:45 a.m. – 12:15 p.m., Rm. W218

Martin Reinhold (University of Arizona),
"Evaluating German Anthems: A Schenkerian
Approach"

James Stopher (University of Arizona), "Formal
Design and Harmonic Structure in Chopin's Etude
in Db Major, Op. 25/8"

Timothy Best (Indiana University),
"Intertextuality and the Surreal in Bernard
Rands's 'Canti Lunatici'"

Joint Session (AMS/SMT), 2:15 p.m. – 3:45 p.m., Recital Hall

John Snyder (University of Houston),
"Pseudo-Odo's *Musicae artis disciplina*: Issues
of Content, Transmission, and Influence"

Richard Hermann (University of New Mexico),
"Boundaries Transgressed: Text-Painting in Dido's
Lament"

Courtney J. Crappell (University of Oklahoma),
"Erik Satie's *Embryons desséchés* (1913):
Playing with Parody"

Parallel Session (SEM), 2:15 p.m. – 3:45 p.m., Rm. W218

Ellwood Colahan (University of Denver),
"Tradition and Innovation in Balinese *Gamelan
Angklung*: Issues in the Development of *Angklung
Kebyar* and the Music of American Gamelan *Tunas
Mekar*"

Angelo J. Joaquin, Jr. (University of Arizona),
"The Influence of Orquesta Tejano on Tohono
O'odham Waila Bands"

Brian A. Harpst (Northern Arizona University),
"Piazzolla's *Tango Nuevo*: Constructions of New
Authenticity"

Joint Session (AMS/SEM/SMT), 4:00 p.m. – 5:30 p.m., Recital Hall

Eric Smigel (Utah State University), "Metaphors
on Vision: James Tenney and Stan Brakhage"

Deepti Navaratna (University of New Mexico),
"Women Composers in South Indian Classical Music:
Caste Dynamics to Colonialism in South India"

Bliss Little (Arizona State University),
"Memories of a Lost Homeland: Greek National
Composers and the Legacy of Asia Minor"
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